Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Thursday, October 7, 2010

A Lovely Time, Not Very Long Ago...Thank You, Eloise Wilkin!


During her 50 year career spanning the decades of the 1930s through the 1980s, Eloise Wilkin illustrated over 110 books for children.  Her illustrations evoke an idyllic rural world not unlike that which she knew while raising her family of four children in upstate New York.  Famous for her instantly recognizable style: sweet, cherubic, chubby-faced children; detailed early American and Victorian style architecture and furnishings; and the verdant, daisy-strewn hills of upstate New York, Eloise illustrated children’s early reading books; paper dolls; puzzles; entries in the Childcraft series; 20 books authored by her sister, Esther; as well as her 47 popular “Little Golden Books” titles.  Her most beloved titles include We Help Daddy, We Help Mommy, Baby Dear, So Big!, Prayers for Children, Busy Timmy, and My Little Golden Book About God.


In addition to free lance drawing and book illustration, in the early 1960s Eloise successfully designed and marketed, via the Vogue Doll Company, a new-born infant doll about which the popular Little Golden Book, Baby Dear, was later written. Eloise's daughter, Deborah and grandson, David served as the models for the mother and baby in the book. The realistic style of the Baby Dear doll revolutionized the doll industry at the time, encouraging more realistic baby dolls. Reportedly, former Soviet Premier Nikita Khrushchev returned home with several of the dolls after a trip to F.A.O. Schwartz in New York City.




Born in Rochester, New York in 1904, Eloise Burns, was fortunate to have had a mother who encouraged her imaginative children to enjoy their creative gifts, allowing them to draw all over one wall in their house just before redecorating. Her father was a newspaperman and her mother had studied piano at a conservatory and often played classical music, which Eloise grew to love. Eloise, her sister Esther (only fifteen months older), a brother Robert, and two other siblings grew up in New York City on 109th Street near Central Park. As children, Eloise and Esther shared a bedroom and spent hours creating doll houses from orange crates, dolls out of newspapers, and sewing doll clothes. Eloise and Esther, remained especially close, and eventually married brothers, Sydney and George Wilkin. At age 11, Eloise won a drawing contest for children, sponsored by the Wanamaker department stores, with a picture of a pilgrim returning home.


While studying art at Mechanics Institute (now Rochester Institute of Technology), Eloise Burns met Joan Esley, best known as an illustrator of several books for adolescents. They formed a lifelong friendship that included collaboration on a children’s book entitled, The Visit. After graduating from The Rochester Institute of Technology, Eloise and Joan began doing free lance work in Rochester (i.e., Eloise painting stations of the cross for the Sacred Heart Academy Church and illustrations for the Rochester Box Company) and ultimately moved together to New York City, where they hoped to have a better chance at careers in illustration. Eloise’s first book was The Shining Hour for the Century Co. Other publishers for  which she illustrated were Ginn, Scribner, Little Brown, Rand McNally, Random House and MacMillian. Many early illustrations were for school books, i.e., The First Grade Book for Ginn. Early in her career Eloise illustrated paper dolls for Samuel Gabriel & Sons, Playtime House and Jaymar. She illustrated for four years before marrying Sidney Wilkin in 1935, thus, her early works are signed Eloise Burns.


The Wilkins family settled in a fieldstone farmhouse with eight fireplaces in the country near Canandaigua in upstate New York, and Eloise slowed her career for several years while raising her four children, Ann, Sidney, Jr., Deborah and Jeremy. In 1943, she was offered a contract with Simon & Schuster and worked almost exclusively for Little Golden Books, illustrating the 47 little golden books, calendars, shape books, big golden books, and sturdy golden books until 1961; then, only occasionally illustrating for them up until the mid-eighties. Eloise used her neighborhood, her home, her children, her husband, her grandchildren, and their friends and neighbors as models for her illustrations. Many little golden book pages became puzzles which were produced by Simon & Schuster and later Golden Press. Earlier puzzles illustrated by Wilkin have been found produced by Playtime House and Leo Hart Co. Her illustrations are also found on record sleeves of many little golden records (occasionally on the record label itself) and on china plates, ads, Hallmark cards and in Child's Life, Story Parade and Golden Magazines. Currently, original editions of Eloise Wilkin illustrated books in very good condition can command prices of up to several hundred dollars.


It is said that Eloise was very modest about her talents and was a woman who stood up for her beliefs, whether it was refusing to paint pants on a mother in one of her children’s books, marching with Martin Luther King, marching with the Berrigans in Washington early in the Vietnam War, teaching art to inner city children, or assisting a University of Rochester student in the burning of his draft card in Central Park.

In October of 1987, Eloise died of cancer, at the age of 84 in Brighton, New York. At the time of her death, she was working on a new doll and was still illustrating.



In the recently published, A Little Golden Book Collection Eloise Wilkin Stories (featuring nine of her most treasured stories: "Busy Timmy, "Guess Who Lives Here", "Wonders of Nature", "Selections from A Child’s Garden of Verses", "We Help Mommy", "Baby Listens," "Baby Dear," and "Baby Looks"), an afterword by James Werner Watson aptly describes Eloise Wilkin’s legacy:

"A warm and creative homemaker, Eloise shared with the world glimpses of her big, busy, welcoming household, its rooms papered with gentle patterns, its drop-leaf tables and rocking chairs aglow with hand-rubbed sheen, its four-poster beds covered by hand-stitched quilts. A devoutly religious person, she shared ever so gently her values, her sense of the beauty of order and love, of implicit self-discipline, and of regard for others . . . she has left us, only slightly idealized, rich reminders of a lovely time not very long ago."

To listen to a three-part interview with one of Eloise Wilkin’s daughters, Deborah Wilkin Springett, (author of the Eloise Wilkin’s Book of Poems, her mother’s last illustrated book, published in 1988) and to order her biography about her mother, The Golden Years of Eloise Wilkin, go to: http://www.triviumpursuit.com/blog/2007/02/21/podcast-2-interview-with-eloise-wilkins-daughter-part-one/



Wednesday, July 28, 2010

Rescuing Our Toads


I want to share with you, dear readers, this interesting exchange today from my neighborhood listserv…

Problem: “We are not the only ones trying to escape the oppressive summer heat. Toads are being discovered in window wells throughout the area. They are drawn to the window wells at night when indoor lights are on and lots of tasty snacks are flittering around the lighted wells. But can they get out – even by making Super Toad Jumps? Their skin is very delicate [and] anything sharp and hard—like a shovel—or pointy—like a straw broom— risks injuring them. Maybe someone knows more about this and what to do? As we all know, finding toads or frogs gets high environmental marks. (P.S. Before you fill in or cover that small hole—around the stoop, next to the wall, or an old stump— make sure you're not asphyxiating a toad abode.)”

Solution: “…without aid, the toads are, indeed, facing an impossible escalade. The solution? A wooden board. Despite the perilous angle…toads have tiny toes with teensy toadie claws and suction-cups that will enable them to climb this fearsome Mt. Everest - a rougher surface is less daunting than a smooth surface. You could even provide a snack at the top — a toad sized bite of fresh raw hamburger or a bug of your own choosing! So check your wells. The toad you save, may be your own.”

I highly recommend reading this wonderful book: Toad by the Road: A Year in the Life of theses Amazing Amphibians, by Joanne Ryder, a collection of poetry which includes a brief paragraph of information about toads for each poem on nearly every page...


Cassandra ♥


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